In Jasmine it is not so
much the place and time that matter when discussing setting. Rather, it
is how Jasmine’s experience
in that place and time relates to Jyoti, Jane, or Jase’s experience in
another place and time. Jasmine
evolved from Jyoti in the
palpable mud huts of India, to Jasmine
in the small apartment with the books on the edge of
the bed, to Jase in Duff’s
room with the collapsible cot, to Jane in the mishmash of different textures
and layouts of rooms, and finally back
to Jase in the
unknown.
Back in India, during the Jyoti period, Jyoti and the
other women were able to defecate openly with their physicality exposed.
While gossiping and bonding, they squatted and
crapped. However, in Miami
during the later Jasmine period, Jasmine and her
dignity and past were
brutally and sexually
assaulted – she was
manipulated – and forced into self-defense.
She rose then, and in
the fluorescent motel with the pink flamingos and
scattered detritus and offal,
she escaped.
Miami and India were quite different settings however what defined them was
their comparison to one another. In the novel Jasmine, it is not the contrast between the
undisturbed forest and the manmade hotel that aid the imagination in an
exploration of description, it is rather the experiences in those two places
that are diametrically opposed that create the relationships of both contrast
between settings and contrast between “incarnations.”
- J. A. Kind
- J. A. Kind
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