Friday, May 29, 2015

A Story of Success: The Aid of an International Community and Promotion of a Personal Agenda

            On June 5, 1947, the Secretary of State, George C. Marshall proclaimed from the acclaimed, western, educational hub that is Harvard University, a plan that would revolutionize post World War II Foreign Policy.  This plan was the European Recovery Program, more commonly known and addressed by its dedicative form, the Marshall Plan.  The Marshall Plan is considered by a vast amount of historians as one of the most successful United States Foreign Policy programs in modern history.  The idea was simple, and while explaining his creation, Marshall phrased it as such: “the role of this country should consist of friendly aid in the drafting of a European program and of later support of such a program so far as it may be practical for us to do so.”  However, between 1948 and 1951, the Plan grew tremendously – it directed over $13 billion in aid to help the European nations recover from the Second World War.  Although this seems like an incredulous sum, the plan did indeed successfully recover the European economy, integrate the European countries, and in fact, aid the United States and her dedication to the growth of democracy and the expansion of peoples’ rights. 
            Thus, this generous, collective amalgamation of donative loans seems like a selfless act on behalf of the newly ordained leading world power, the United States; however, at a closer glance, the United States’ Marshall Plan was soaked in a misty spray of self-servitude and anti-communistic undertones.  The United States, through the implemented ideologies of one Secretary of State, forever changed the functions of international relations on this Earth – and although these new functions clearly aided a suffering global economy, they also served the United States’ personal agenda.
            One obvious reason for why the Marshall Plan’s implementation exceeded the prejudiced expectations of success it had been assigned was that nothing of this grand a scale had ever happened in history.  No one nation had ever loaned billions of dollars to many another.  Although this fact is notable, a multitude of other key historical pinpoints evidence why the ingenious Plan functioned like a well-oiled machine.  Primarily, the sheer export of dollars to the affected European nations prevented the United States from receding back into the dark, dim years of the Great Depression.  It also, clearly, aided the trodden Europeans whose economies were destroyed in a similar fashion to their physical landscapes. 
            Additionally, the Plan provided a constant flow of cash from the United States to Europe; and more importantly, an eager market for the United States’ corporations.  After the war, the European people had nothing.  They needed some things; and so the United States swept in and provided them with American things, otherwise known as United States capitalistic productions and consequentially invigorated economical accomplishments.  In turn, Europe got back on her feet.  Her economy began the slow, yet effective climb to recovery, and the United States benefitted from the business of the recovering nations and the parallel, economic image she had created for Europe.  For after the Marshall Plan’s success Europe began to function as a larger entity, which in and of itself, like the United States, gained from an assortment of public union and private economy.  Thus, through the Marshall Plan, the United States, a country of which at the time had barely surpassed its 150th birthday, replicated its economic model on a cluster of nations thousands of years older than she. 
            However, Europe also benefitted from the Marshall Plan in a way that did not directly affect her western counterpart.   The Plan heavily increased the integration of both the nations’ economies and governments.  Arguably, this very successful integration can be said to have laid the stable groundwork for the European Union to actualize.  Over time, the economies stabilized and eventually peace began to exist on the continent, which continues on a grander scale to this very day.  However, without the Marshall Plan, that very delicate peace could have been annihilated by another vengeful Germanic eruption.  Yet, because the Plan allotted West Germany with over $1.2 billion dollars, history did not repeat itself and good was done. 
            In a selfless scope, the United States created good through the Marshall Plan by preventing the duplication of history.  However, through the lens of selfishness, the Marshall Plan played to the United States’ agenda by providing the nation with an unparalleled control of futuristic actions – and as the president of the time, Harry S. Truman said, “Actions are the seed of fate.  Deeds grow into destiny.”  This broad American fate and destiny can be said to stem from the somewhat hidden agenda the United States profoundly externalized through the Marshall Plan.  For by aiding the western nations of Europe, the United States was successfully repressing communistic growth and the expansion of the rivaling USSR’s Iron Curtain.  Thus, through the execution of the Marshall Plan the United States continued her own personal dedication to the growth of democracy and expansion of peoples’ rights – a dedication that firmly roots itself in the United States’ blood. 

            Overall, George C. Marshall’s European Recovery Program, the Marshall Plan, reveled in success and globally revolutionary air like no other previous operation in regard to any nation’s foreign policy.   The Plan successfully recovered the European economy, integrated the European countries, and aided the United States (with both her own economy and her personal agenda as well).  In total, the Marshall Plan now stands in the hall of historic greatness as a successful implementation and international aide-mémoire that true success stems from the triumphs not only of one’s self, but also one’s allies. 

     - J. A. Kind

Founding Fathers, Bald Eagles, and the Devotion to Democracy and Rights

             The United States of America was founded upon the principle that all are created equal.  The nation’s very name – the United States – cohesively represents the sound foundation upon which the future peoples of the Founding Fathers procure and nurture a growth of democracy and expansion pertaining to the rights of the people of America.  This nurturing is unmatched in comparison to the nations in the history of humanity.  For in recollection of the cosmopolitan timeline, the third president of the United States, Thomas Jefferson, drafted a revolutionary piece of literature that declared that from her national conception, the United States would ensure the growth of democracy and expansion of rights.

“When in the Course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.  We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness.

            From her initial Declaration of Independence, the United States of America had held true to the ideology expressed by Jefferson.  And in turn, she has upheld the national dedication to the growth of democracy and expansion of the rights of the people.  For the Patriots waged a revolutionary war for many years against the strongest nation on the Earth, Great Britain, in order to secure these principles.  And once they achieved freedom, they immediately ensured the values of these principles through the drafting of the Constitution – a formal, national affirmation that asserted through its First Amendment in the Bill of Rights that “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.”  At the beginning of the United States historical timeline, democracy was key and the people’s rights expanded and flourished due to the democratic legislative power.  In fact, the mere ability for the legislative power that composes one of the three branches in the United States Government to be able to amend is a testimony to the dedication to democratic growth and expansion of the peoples’ rights.
            And vitally, the United States Congress has used this ability, this power to amend, in order to continue to ensure that the democracy grows and the rights of the people expand.  The Thirteenth, Fourteenth, Fifteenth, and Eighteenth Amendments attest to this continuation of dedication.  They provide freedoms and rights that were before, unavailable; and thus, growth ensued.  The Founding Fathers understood that change would need to come.  Necessarily, they wisely created a democratic system that would continue to grow and expand the rights of the people.  And so, still to this day, every July 4th, the citizens of the great United States, revel under the starry, free sky, splattered by patriotic fireworks, and celebrate, commemorate, and recollect their underlying appreciation for the growth of democracy and expansion of rights.  Thus, in turn, these two actualized American Dreams can be said to be the naturalized building blocks, the thematic concepts, that give the freedom and structure for the United States of America and her holistic history to lead among the nations of the world.
            However, for the United States of America to endure the burden that she has carried upon her free body of land since her revolutionary inception, her Foreign Policy would need to parallel the diplomatic decisions she devised and implemented at home.  The series of events that most profoundly exhibit the United States‘ dedication to democracy and the expansion of peoples’ rights is her Foreign Policy during the years leading up to the Cold war and during the Cold War itself (approximately 1947-1991).  During this time, the United States’ main objective in relation to Foreign Policy was the containment of the expansion of Communism (practically its total destruction) and the halting of the Totalitarian Communist USSR’s power and influence.  The dictionary, Merriam Webster, defines Communism as “a way of organizing a society in which the government owns the things that are used to make and transport products and there is no privately owned property.”  Thus, in other words, Communism is the complete antithesis of a democracy and terminates the expansion of the peoples’ rights.  In turn, for the United States to have had her Foreign Policy for half a decade be the complete, undying devotion to the obliteration of Communism and Totalitarianism, the United States was in fact upholding her constant historical theme – the dedication to the growth of democracy and the expansion of peoples’ rights.  Overall, from her creation in the late eighteenth century to her era of conflict in the late twentieth century, the United States has unremittingly devoted herself to the two principles that act as her centered foundation.
            In total, the United States of America is known as the land of the free and the home of the brave.  Her very chromosomal substance is composed of the Founding Fathers’ blood, sweat, and tears, their DNA, and drive to grow democracy and expand peoples’ rights.  From her creation to twenty short years ago, it is evident that this drive to enforce and share with the world her DNA pervades the international community.  And so, as the bald eagle perches upon the tall olive branch, the growth of democracy and the expansion of peoples’ rights integrate themselves into the history of the United States of America.  God Bless.

 - J. A. Kind
 

Wednesday, May 27, 2015

Comparison of Contrast in Chen Yanning and Joanna Concejo's Works


Although Chen Yanning and Joanna Concejo were born thousands of miles apart in different decades of the twentieth century, both of the artists use positive and negative space to enhance their works of art.  The positive and negative spaces that each artist uses combat each other through the positioning, arrangements, and tones of the subjects and their backgrounds.  In Yanning’s work, her subject is depicted in the lighted area of the scene and is contrasted heavily against her dark, black background.  Because the subject’s dress is also black, the only parts of her body that are shown are her bent arm, head, neck, and fan.  Even the subject’s hair is dark, adding to the negative space of the background.  Overall, this intense reaping of darkness elucidates the underlying creepiness of the artwork.  

Joanna Concejo
Chen Yanning

By having the subject of the artwork starkly contrast the shapeless background of the piece, Concejo, like Yanning, also contributed to the unexplainable, calm mystery of her work's subject.  However, in Joanna Concejo’s work, another type of mystery adorns the piece.  The piece, unlike Yanning’s work, has a darker, more textured subject, and a light, white background.  Much more of Concejo’s subject is visible than that of Yanning’s; yet, there are some similarities between the two pieces.  Both of the subject’s arms are bent; and, this frozen action delineates the negative space of the pieces and adds to the sense of structure for the otherwise uncomplicated works of art (in the sense of form).  In total, through their use of negative and positive space, both Yanning and Concejo played on their viewers’ senses of loneliness and desperation in order to create a wave of mystery over their works of art. 

           - J. A. Kind

Monday, May 25, 2015

"Erin Brockovich" Review

            “ErinBrockovich,” a Steven Soderbergh film, featured the talented Julia Roberts who depicted the charismatic, sharp-witted Brockovich, an informally educated, hard working, single mother.  The real Brockovich worked alongside Ed Masry, who, in the movie, is played by Albert Finney.  Erin played a vital role in organizing the $333 million lawsuit against Pacific Gas and Electric (PG&E)[1].  PG&E had contaminated the groundwater of a small town named Hinkley, located in the Mojave Desert of California.  The contamination was caused by the use of hexavalent chromium, which can cause anything from eye irritation to fatal cancers[2].  Thus, Brockovich took action to avenge the sickened community.   The legal battle that Brockovich worked so tirelessly to win would end up being crowned as the largest in action lawsuit in United States’ history[3].  And Roberts’ depiction of the headstrong heroine would result in her earning an Oscar nomination and consequent win[4].  However, the film, in its entirety, once tested and put under heated pressure, popped and fizzled as it pathetically melted into a meager, unenergetic characterization of the historic series of events.  And in turn, through the combined forces of Soderbergh and his cast, Brockovich’s integrity was relentlessly sexified as Robert’s neckline plunged far down into the depths of cinematic complacency and filthily tumbled with the feebly portrayed yet actually heinous PG&E corporation. 
            The film did indeed truthfully follow the historic timeline and events composing that very timeline, however it did so in fashion that painfully painted a glossy coating over the work as a whole.  This consequentially defocused the piece’s energy and socially historic meaning.  The acclaimed movie critic, Roger Ebert, described the movie’s self distancing from its thematic center most correctly when he avowed, “‘Erin Brockovich’ has a screenplay with the depth and insight of a cable-TV docudrama, and that won't do for a 126-minute ‘major production.’  Maybe it's just that the movie gives us so little to focus on that they win by default.”[5]  Overall, the movie lacked a defined concentration on not necessarily collective precision, but rather, on historical accuracy. 
            The film’s choice in characters further blurred the cinematic conceptualizations by portraying Robert’s Brockovich as a blatantly sexy, stereotypically not blonde blonde, in a desert-like sea full of ugliness.  This took away from the meaningful, filmic net worth by revamping Brockovich’s purpose – this also diminished the feministic undertones of the movie.  The only other character that was smeared in a nice light without appearing as a shriveled up prune was PG&E as a corporation.  In turn, the movie had no harsh antagonist – merely an amorphous company that was causing bad stuff – and thus, this automatically downplayed Robert’s depiction of the protagonist, Brockovich.  For, the film lacked evil, the dying necessity for a hero.  Instead, it smeared itself with that evil’s effects, effects that may indeed be historically precise, but drain the movie of the ability to fully depict itself in a historically accurate light. 
            In total, the movie, “Erin Brockovich” stayed true to the events that took place in the small town of Hinkley leading up to 1996.  It precisely depicted the effects of the hexavalent chromium and Brockovich and Masry’s work to avenge the sickened and fallen.  However, Soderbergh’s work failed to achieve the historic precision that it needed to retain its viewers’ attentions and achieve absolute acclaim.  The movie was tinted with a glossy coating that sexified Brockovich and diminished the movie’s feministic undertones.  In the end, the movie “Erin Brockovich” manipulated a historical situation to play to societal norms instead of manifesting a surge of societal willpower to continue the change that the real Brockovich initiated. 

    - J. A. Kind





[1] http://www.brockovich.com/my-story/, Erin Brockovich
[2] https://www.osha.gov/SLTC/hexavalentchromium/healtheffects.html
[3] http://abcnews.go.com/US/erin-brockovich-fighting-neighbors-toxic-drinking-water/story?id=15120603
[4] http://www.imdb.com/name/nm0000210/awards
[5] http://www.rogerebert.com/reviews/erin-brockovich-2000, Roger Ebert, 2000